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HomeEntertainmentCelebrating Kathak exponent Rohini Bhate via dance, music and movie 

Celebrating Kathak exponent Rohini Bhate via dance, music and movie 


As we have been heading in direction of the auditorium, we handed via Rohini Bhate Chowk, a metropolis sq. named after the legendary Kathak exponent Rohini Bhate on Pune’s famed Pravat Highway, which is residence to a number of main cultural and academic establishments just like the Movie and Tv Institute of India. The naming of town sq. after an Indian classical dancer like Rohini Bhate displays the deep admiration and respect that the folks of Pune have for his or her beloved Babytai – because the celebrated dancer, scholar, choreographer, author and reformist change-maker is affectionately referred to.

The auditorium was buzzing with power because the inauguration of a two-day occasion drew close to. Half-an-hour earlier than the beginning of the programme,  all 900 seats within the auditorium have been crammed to capability. Even on the second day, which coincided with the India – South Africa World cup last cricket match, the turnout was as spectacular as the day past.

Performance by the disciples of Rohini Bhate at the two-day festival NrityaaRohini, in Pune.

Efficiency by the disciples of Rohini Bhate on the two-day pageant NrityaaRohini, in Pune.
| Picture Credit score:
Particular Association

The event was guru Rohini Bhate’s delivery centenary yr celebrations. Aptly titled ‘NrityaaRohini’, it was hosted by the legend’s disciple Prajakta Raj via her Aarohini Artwork Welfare Organisation. Prajakta had roped in 11 distinguished disciples of Rohin Bhate, comparable to Roshan Datya, Neelima Adhya, Amala Shekhar, Prerana Deshpande, Rajashree Jawadekar, Asawaree Patankar, Aabha Wamburkar, Sharvari Jamenis, Rujuta Soman and Maneesha Abhay — who’re established and well-known gurus or exponents, and have their very own Kathak institutes in Pune. Three extra senior dancers – Abha Auti, Dhanashree Natu and Ketaki Wadekar – who comply with Rohini Bhate’s legacy have been additionally a part of the presentation that witnessed efficiency by greater than 160 dancers.

The night additionally featured a particular screening of ‘Time and Area’, a fascinating movie on Rohini Bhate’s life and instances, made by her German disciple and a widely known filmmaker Carolin Dassel.

Kathak guru Rohini Bhate, who through her dedicated efforts nurtured Kathak and made Pune a prominent centre for the art form. She was the first in the world of Kathak to use Doha to enhance the emotional depth of dance performances. 

Kathak guru Rohini Bhate, who via her devoted efforts nurtured Kathak and made Pune a distinguished centre for the artwork type. She was the primary on the planet of Kathak to make use of Doha to boost the emotional depth of dance performances. 
| Picture Credit score:
Particular Association

The thoughtfully curated pageant featured 23 uncommon choreographies by guru Rohini Bhate, a pioneer in Indian classical dance in Maharashtra, who devoted seven a long time to nurture Kathak and set up Pune as a distinguished centre of Kathak.

‘Prathama mana omkar’, a Tansen composition choreographed by Rohini Bhate as an invocation to the gods and the gurus, was aptly chosen because the opening presentation of the pageant. It was premiered in Africa means again in 1998. A educated musician, Rohini offered excellent vocal performances and composed music for her choreographies as effectively. The pageant highlighted her experience in raag, taal and laya in her choreographies.

Raagsagar supplied a bouquet of 10 common raags utilized in her choreography — Vasant, Bahar, Kedar, Malhar, Sohoni, Adana, Maikaunsh, Lallat and Puria Dhanashree. Moreover, Chaturag was one other distinctive exploration of musical nuances in Kathak that included 4 raags —Patadeep, Jhinjhoti, Chandrakauns and Kalavati — together with 4 taals – Adachoutaal, Ektaal, Matta taal and Teentaal. Equally, it was pleasant to look at two of Rohini’s choreographies named after her favorite deity Ganesh and her first guru Sohanlal – Taal Ganesh and Taal Sohan.

Rohini Bhate during one of her performances. She was known for her groundbreaking works that pushed the boundaries of tradition

Rohini Bhate throughout certainly one of her performances. She was recognized for her groundbreaking works that pushed the boundaries of custom
| Picture Credit score:
Particular Association

A gifted artiste with a aptitude for poetry, music and dance, Rohini Bhate additionally showcased her creativity in scripting, scoring music and choreographing many memorable productions. Considered one of her outstanding works was ‘Doha’ (rhyming couplets in Hindustani musical custom), which was staged in the course of the pageant, that dropped at the fore her distinctive talents.  She was the primary within the discipline of Kathak to make use of Doha to boost the emotional depth of dance performances. . The presentation of a medley of 5 Dohas by her disciples — Prajakta Raj, Maneesha Abhey, Sharvari Jamenis and Rujuta Soman — depicting the feelings of 5 totally different nayikas with profound depth, left an enduring impression.

Famend choreographer Rohini Bhate was recognized for her groundbreaking works that pushed the boundaries of custom. Her efficiency of ‘Time’ at a prestigious dance pageant in Delhi in 1986 garnered widespread acclaim, setting a brand new customary for up to date dance in India.

As a choreographer, Rohini Bhate was recognized for her groundbreaking works that blended custom with improvements. In 1986, her manufacturing ‘Time’ at a distinguished dance pageant in Delhi obtained a standing ovation. It marked a major second in India’s up to date dance scene.

The interpretation of an summary idea, in a transparent and convincing method, accompanied by German composer Gustav Mahler’s musical composition ‘Fragmented Forest’, was the hallmark of this peerless manufacturing that was featured on the centenary celebration. The idea of time was skillfully portrayed as an order, a circulation, a fleeing second, a frozen body, an inspiration, and as a witness to the passage of time.

Through the two-day pageant, the productions stood out for the originality of actions, geometrical formations and rhythmic patterns used within the choreographies, none of which have been repeated in some other manufacturing. Not one of the patterns have been predictable; nor have been there any makes an attempt to impress the viewers with pointless demonstration of spins, as is commonly seen in the present day.

The pageant ended with the choral singing of Vande guru Rohini ke Charne, essentially the most befitting guru-dakshina supplied by all of the dancers . Aptly titled ‘Aarti’, it showcased their profound love and respect for the revered guru.

Because the curtains got here down, Neelima Adhye, director, Nrityabharati Kathak Dance Academy in Pune, based by Guru Rohini Bhate 76 years in the past, , remarked, “It looks as if she is right here with us, in the present day.”

Legends are immortal. They could vanish from this world, however they reside on via their enduring legacy. Similar to Guru Rohini Bhate.



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